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This book examines the treatment of space and narrative in a selection of classic films including My Darling Clementine, It's a Wonderful Life, and Vertigo. Deborah Thomas employs a variety of arguments in exploring the reading of space and its meaning in Hollywood cinema and film generally. Topics covered include the importance of space in defining genre (such as the necessity of an urban landscape for a gangster film to be a gangster film); the ambiguity of offscreen space and spectatorship (how an audience reads an unseen but inferred setting), and the use of spatially disruptive cinematic techniques such as flashback to construct meaning.
- Sales Rank: #2194007 in Books
- Brand: Brand: Wallflower Press
- Published on: 2001-10-15
- Original language: English
- Number of items: 1
- Dimensions: 7.94" h x .45" w x 6.00" l, .43 pounds
- Binding: Paperback
- 144 pages
- Used Book in Good Condition
Review
"The approach is sincere." -- "Choice"
"The approach is sincere." -- Choice
"The approach is sincere." -- "Choice"
Review
It would be difficult to propose, in the context of an introduction to Classical Hollywood, a more precise and rigorous study.... This book deserves to become essential for undergraduate courses.
(Reynold Humphries, University of Lille III) About the Author
Deborah Thomas is reader in film studies at the University of Sunderland, UK and a member of the editorial board of Movie.
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