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As a Decade Fades, by Joshua Fields Millburn
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People don’t know how to love the ones they love until they disappear from their lives.
As he approaches thirty, Jody Grafton’s career as a singer-songwriter falls apart: he loses his record deal, his money, his fame—even his desire to create new music. While he stares at the rubble of his one-hit-wonder musical career, his mother is diagnosed with lung cancer, his marriage ends abruptly, and Jody starts drinking heavily to deaden his new reality.
When he hasn’t a single reason left to live, he attempts suicide and ends up in a psych ward where he’s prodded with questions he isn’t yet prepared to answer. Amid the tailspin, Jody receives a phone call from his recently estranged girlfriend and she has unexpected news: she’s pregnant.
As a Decade Fades begins with this phone call. As his twenties twilight, Jody Grafton grapples with loneliness, depression, lust, and infatuation while glancing at the mounting wreckage in his rearview. When he can’t fit—or force—the pieces of his life back together, he leaves his native Ohio to search for answers in the most unlikely of places.
- Sales Rank: #904890 in eBooks
- Published on: 2012-12-25
- Released on: 2012-12-25
- Format: Kindle eBook
From the Author
As a Decade Fades�went through nearly 30 drafts and took on many different forms in the process. While the final version is a mere 250 pages, the book was roughly 950 pages a year before publication, at its bloated zenith. It was a bleak time when I peered down at that near-1000-page stack and realized that an ending wasn't in sight. I knew that to find a meaningful ending, I would have to get rid of the excess.
Condensing the story down to its essence required me to jettison some 600+ pages, which turned out to be a gruesome, heartbreaking process. If you had 10 children, which six would you chuck overboard to spare the remaining four? (Wait, don't answer that.) But those murdered pages weren't for naught. They served as an important part of the process; they helped form the now final novel. Without the complexities of an almost 1000-page monstrosity, I wouldn't've had the stone from which I chiseled the final sculpture. I couldn't've found the beauty without the banality.
I spent many days laboring on the prose contained on these pages. The final draft was closely scrutinized by more than a dozen proofreaders and two professional editors. And at the end of the day, I can look myself in the mirror and know that I could not have written a better book than the novel I'm publishing today.
It's worth noting that�As a Decade Fades�is not a novel in the traditional sense. It is, more or less, a fragmented narrative of 24 short stories--some short, some long--segmented over three distinct sections. This feat was complicated to maneuver around, but I found it necessary to structure the book this way for a myriad of reasons that are hard to describe (if I could explain those reasons here, I probably would not've had to structure the book this way), but against my best judgment, I'll do my best to explain...
Although I consider myself a somewhat skilled fiction writer (I've written fiction appreciably longer than my well-known nonfiction), I do not think of myself as a natural novelist. Our post-MTV world is no longer a novelist's world. The world doesn't occur to me as a linear narrative; it's fragmented and broken, and it's up to us to put together the pieces of this flash-cut world as we see fit. Similarly, this book is not organized as a tidy linear narrative. It is fractured and parts of its plot are involuted and recursive and�self-referential. Certain elements and plots are resolved in the traditional sense, while others are left without a neat little bow, and others still are left open to interpretation. The closer you read, the more questions you may have. But such is life.
Each of the book's 24 stories functions on its own. Thus, any one story can be read as a standalone piece, and a particular meaning or lesson gleaned from that single story. When combined, however, these stories work together to form a larger narrative, relating complex concepts that likely aren't apparent when the stories are read individually.
The way we read--particularly the way we read novels--is changing, and this book is my attempt to participate in that transformation.�As a Decade Fades�is a reasonably difficult book; it is challenging, but it also has a more significant payoff than, say, a blog or a self-help book or even narrative nonfiction. I wrote this book with this in mind: I want the reader to do some work, and in exchange for said work, there is a greater payoff.
As a Decade Fades�is contains a certain amount of grammatical prestidigitation, and thus it is not meant to be read like a freshman college assignment. Much of the syntax is meant to take on the brain-voice as you get closer to the consciousness of a particular character (viz., I want to preserve an oralish, tumbling-words, out-loud feel to the work). Hence, you will often find omitted commas, long run-on sentences, extreme use of polysyndeton, passive construction, progressive tenses, unconventional�compound contractions (e.g., "wouldn't've," "I'd've," and "y'all'ren't"), compound words that aren't real words�(e.g., "livingroom," "coffeetable," "bumpersticker"), paragraphs beginning with compound conjunctions (e.g., "And but so"), and other intentional grammatical�faux-pas�in the text. These devices are used to advance the story in a more meaningful/realistic way--i.e., used for your benefit, not necessarily mine. Stated in plain English, I basically pretty much write how I talk.
Because this book is about a musician, and much of it has to do with his writing process, I wanted to structure the book a lot like an album with a bunch of individual tracks (see #2 above).
With all that said, ultimately, this book�is�a novel, albeit a different kind of novel, one that welcomes literary fiction readers as well as people who don't read fiction at all. It was written in a way in which anyone can read it, tweeze from it their own meanings, and relate to the emotions of its characters. It is an emotion-filled book, and it is my intent, if anything, to connect with readers via these emotions.
About the Author
Joshua Fields Millburn�left his six-figure corporate career at age 30 to become a full-time author and�writing instructor. His essays at�TheMinimalists.com�have garnered an audience of more than 100,000 monthly readers.
As the bestselling author of three fiction and four�nonfiction�books, he has toured internationally and has been featured on CBS This Morning, ABC, NBC, FOX, NPR, CBC Radio,Wall Street Journal,�USA Today, New York Times, Forbes,�Boston Globe, San Francisco Chronicle, San Francisco Examiner,�Chicago Tribune, Chicago Sun-Times,�Seattle Times, Toronto Star,�Globe & Mail, Vancouver Sun, Village Voice,�LA Weekly,�Zen Habits, and various other outlets.
Joshua has spoken at Harvard Business School, SXSW, World Domination Summit, and several other organizations, universities, and conferences.
In 2012, he cofounded Asymmetrical Press, an independent publishing company and community that embraces�new technologies, methods, and ideas to help writers and creators reach an audience.
Born in Dayton, Ohio, in 1981, Joshua currently lives in Montana.�Find more info at JoshuaFieldsMillburn.com.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Depressing
By FeeBee
The story of a discontented, misguided, troubled and unhappy man who battles with his past and his hopes for the future. I found myself sinking into despair along with the main character (Jody) as his life falls to pieces. What irked me about him was his apathy, self-pity and neediness. I finished the novel nowhere near as hopeful as Jody, unconvinced that the answers he had found would satisfy him.
12 of 13 people found the following review helpful.
Ironically overwritten
By Alex
Unfortunately, I found this book to be full of problems that made it difficult to appreciate the story. Parts of it were so over-written, purple, and self-indulgent while other parts were banal at best and pedantic and condescending at worst (the two page explication on African-American Vernacular English comes to mind...)
Also, and I know this is nit-picking but author's fondness for beginning sentences with "And but..." really annoyed me and distracted from the story every time it was used. I'm all for the creative use of language but the creativity has to actually work.
It's not that Joshua Fields Millburn is untalented. I think he just needs more, and perhaps a higher caliber of feedback, on his work if he's going to get beyond some of these habits. A healthy dose of ruthless-writers'-workshopesque-criticism might help him immensely. But kudos to him for working so hard.
7 of 7 people found the following review helpful.
Good but not Great
By John Bulmer, P. Eng.
I read this book using the Kindle for PC software. I say this because as a non tech-geek I have to wonder if the editing process is compromised on e-books. Before my complaints tho, I will start with the good news.
Promoted as a journey from one's past and getting over losses it holds true to course. But WOW, is it dark. Which in hindsight, life is. When life takes turns for the worse, its not great and not fixed the way TV and the movies fix it.
I found it refreshing to have that different outlook on life.
I also found it refreshing in having Jody described from the perspective of 3 different characters - Jody, the Boy, the Troubled Man. We all go through phases in life. Our self (i.e. Jody) is there through all of it, but we do have an alter ego (the Boy or the Troubled Man) for extended periods. Thanks for highlighting it in this unique way as it is what we do in life.
Now for the not good news. The editing of the book missed far too many potential fixes. Some outlined below. I discovered numerous contradictions and some outright errors.
Two passages describes Jody's post high school years. Both lead with 'After High School, Jody moved from Midvale to Dayton with ...". There must be more than these standard 10 words to describe this event. In one passage it describes Jody being with his brother and his best friend (p 78) in the other it describes Jody being with his two best friends (p 100). This is an inconsistency, and when did he get a brother? It is only briefly mentioned that he considered one of his best friends as his brother.
Throughout the book Jody speaks in very short sentences. Almost one word answers to deep questions. And then in one section he speaks in paragraphs during a conversation with Wes. This inconsistency is not believable given all that we know of Jody. And in this passage he starts paraphrasing everthing with 'Like', after not having done so anywhere else.
As a Canadian, it is down right poor research to describe my country as having 'thirteen providences' (p 178). In fact it has 10 provinces and 3 territories. I can overlook lumping all 13 in to one, but to call them providences????
3/4 of the way through the book, Jody appears to be on the path to a new life. He meets Amy and Asia and at that point he is not interested in drinking and possibly in not smoking anymore. Flip a few more pages and he is popping pills. Not framed as a relapse, but just something he would be doing any day of the week. This is not believable.
As my review title states, it is a good book, but not great. I might have been miffed if I had to pay the $15 for it.
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